After a year of preparations, the Beijing Wenwangge Woodwork Museum recently applied for success. It is understood that Beijing Wenwangge Muzuo Museum has a construction area of ​​6,000 square meters. At present, there are 7 exhibition halls and more than 50 theme exhibitions, with a total of tens of thousands of exhibits. “Save and carry out Chinese folk traditional culture and art through museums, let people discover the charm of Chinese folk traditional culture and art.†Wang Wenwang, founder of Beijing Wenwangge Wood Museum, told reporters that he has applied for private wood for more than a year. The road to the museum.
Interior view of the exhibition hall
â–¡â–¡Reporter Qiu Qiuju
The road to Shenbo is due to obsession with old objects.
Wang Wenwang was born in Wushu, Hebei Province, the hometown of Mudu. His village was famous for his carpenter work. Every household has an independent woodworking workshop. Wang Wenwang had a strong interest in carpenter work since he was a child. In 1988, 18-year-old Wang Wenwang came to Beijing to work on furniture restoration in a furniture warehouse. With years of hard work, in 1992, Wang Wenwang set up his own company to work on the restoration of classical furniture.
As the business grew bigger and bigger, Wang Wenwang also began the ancient furniture collection business. "From furniture, ancient building restoration to collection, the loss and forgetting of old objects made me very sad. How to let more people know it and protect it becomes my mission." Wang Wenwang said frankly.
Around 2005, Wang Wenwang gradually reduced the scale of business, put a lot of energy into the research of cultural relics, began to consult a large number of books and literature, and studied the story behind each old object. With the deepening of the research, Wang Wenwang realized that it is extremely urgent to protect these old objects. As a result, he devoted himself to the research and organization of old objects and once stopped his business.
Wang Wenwang’s behavior made many people around him not understand, and even blamed the family: “In this way, the accumulated homes will be defeated sooner or later.†This kind of investment-free day lasted for several years, and the accumulated funds were slow. Slowly stretched, but when encountering good old things, Wang Wenwang still does not hesitate to sell some of his own acquisitions. "On several occasions, the wages of the workers have not yet reached the end of the month. The old employees who have followed me for many years have also euphemistically resigned. In the eyes of outsiders, I am stupid to do these things. These things cannot be sold, and they have to spend so much investment. "The days were very difficult for Wang Wenwang. "No matter how hard it is, I will stick to it. My goal is to build a wooden museum to showcase the great inventions of the ancestors and let more people know." The story behind the old object."
A solid foundation to apply for a museum
With the deepening of the research, Wang Wenwang began to display the exhibits in different categories, conducting a series of studies, from the beginning without a clue to the final formation of a system, Wang Wenwang's efforts are unimaginable: he kept himself in the study for a whole day, from a large number Look for the life track of the ancients in the book, and sum up the truth. “When a series was thoroughly studied by me and perfectly displayed in front of my eyes, this kind of happiness cannot be measured by money.†Wang Wenwang recalled.
Some old objects were broken up and some were destroyed. Wang Wenwang rescued the old objects that were treated as garbage, and after careful repair, restored the original appearance of the old objects and explored the cultural stories hidden behind them.
Exhibits in the exhibition
After nearly 10 years of accumulation, Wang Wenwang has compiled dozens of series of exhibits, including the physical display of ancient enamel structures, various types of lacquer wares since the Ming and Qing Dynasties, and even children's cars in different regions, and the tools of all walks of life... Wang Wenwang took part in exhibitions across the country with these exhibits. Every time he visits a city, his booth will attract many visitors. Faced with such a meticulous theme planning and professional introduction, many visitors can hardly believe that Wang Wenwang can make such a perfect and systematic display.
As the exhibition continued to move out of Beijing, Wang Wenwang's exhibits were gradually known to the public, and national museums were interested in Wang Wenwang's collection of old objects. In order to better display these extinct old objects and the cultural heritage behind them, Wang Wenwang embarked on the road to apply for museums. "The collections and facilities in the museum are my hard work for many years. My collection is rich enough. After one year of preparation, on January 12 this year, I submitted the materials to the competent authorities." After more than three months of waiting, Wang Wenwang took over The news of the city leaders and experts coming to the exhibition hall for field visits.
"There are many exhibits, complete types, and overall specifications. I agree that Wang Wenwang will set up a museum..." The evaluation of the experts allowed Wang Wenwang's heart to finally land. The next step was the expert's layered argument. Wang Wenwang also spent a month in the uneasy. "After receiving the approval from the Municipal Cultural Relics Bureau, I went to the Civil Affairs Bureau to register and formally set up the museum. Every procedure is like a pass." In early July, Wang Wenwang finally waited for the good news: the approval was passed and the license was obtained. "Until this moment, my hanging heart finally landed. The museum's name is inscribed by the cultural relics expert, 95-year-old Xie Chensheng, this is our recognition and affirmation." Wang Wenwang can't conceal his inner excitement.
Realize your own value and explore new business models
Shenbo’s success has made Wang Wenwang more enthusiastic about his career, but he also has to face the problems of many private museums. At present, private museums face difficulties such as inadequate equipment support and social recognition, inadequate curatorial professionalism and policy support, and unstable sources of funds. How to make museums operate according to their own values ​​is Wang Wenwang's thinking.
In Wang Wenwang's view, if a private museum wants to develop, it must change the mode of the museum to allow the museum to achieve its own blood. He said that as a private museum with the theme of wood, it hopes to attract more tourists to visit, therefore, ticket income can be used as one of the means of profit.
Wenchuang products are an extension of the museum's exhibition function and educational function, and also one of the means by which museums can achieve their own blood production. To make the collection "live", the development of cultural and creative products is a major event that Wang Wenwang is currently planning. "Using the advantages of old objects and old craftsmanship in the museum, the old objects and old crafts left by the ancestors are truly 'live' in life, so that people can afford to buy cultural relics while recognizing the value of cultural relics. '"
In addition to the exhibition, the museum will also increase its training business. "We will add a teaching hall, an interactive hall and a manual studio. Through the one-on-one instruction of the old carpenters, we will train the woodworking enthusiasts to master the traditional craftsmanship and appreciate the spirit of traditional craftsmen." Wang Wenwang said.
In Wang Wenwang's view, the operation of the museum should not be limited to domestic exhibitions, training, development of cultural and creative products, but also actively go abroad. At present, Wang Wenwang actively seeks support from all aspects of society, expands more and more activities and forms of activities, explores new business models, and makes museums work better in order to carry the responsibility and mission of protecting cultural heritage.
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